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Charlemagne
was crowned Holy Roman Emperor by Pope Leo III at the Church of St.
Peter in 800. Charlemagne desired to re-establish the art and cultural
accomplishments of classical Rome. He supported numerous artistic and
cultural endeavors, including monastic centers that were established to
create and produce illuminated manuscripts. During the Carolingian Period monasteries became the principal artistic centers. These early artists were Franks who had modeled their style after the works of Greek, Roman and
Middle Eastern artists. According to noted historican, Paul Lacroix
"Under the government of Charlemagne, the private life of his subjects
seems to have been less rough and coarse, although they did not
entirely give up their turbulent pleasures. Science and letters, for a
long time buried in monasteries, reappeared like beautiful exiles at
the imperial court, and social life thereby gained a little charm and
softness. Charlemagne had created in his palace, under the direction of
Alcuin, a sort of academy called the "School of the Palace," which
followed him everywhere. The intellectual exercises of this school
generally brought together all the members of the imperial family, as
well as all the persons of the household. Charlemagne, in fact, was
himself one of the most attentive followers of the lessons given by
Alcuin. He was indeed the principal interlocutor and discourser at the
discussions, which were on all subjects, religions, literary, and
philosophical." Art during the time of Charlemagne Art
historian Clara Erskine Clement states "When Charlemagne became the
king of the Franks in 768, there was little knowledge of any art among
his northern subjects; in 800 he made himself emperor of the Romans,
also, and when the Franks saw all the splendor of Rome and other parts
of Italy, it was not difficult for the great emperor to introduce the
arts into the Frankish portion of his empire. All sorts of beautiful
objects were carried from Italy by the Franks, and great workshops were
established at Aix-la-Chapelle, the capital, and were placed under the
care of Eginhard, who was skilled in bronze-casting, modelling, and
other arts; he was called Bezaleel, after the builder of the
Tabernacle. We have many accounts of the wall-paintings and mosaics of
the Franks; but there are no remains of them that can be identified
with positive accuracy.
Miniature-painting flourished under the
rule of Charlemagne and his family, and reached a point of great
magnificence in effect, though it was never as artistic as the work of
the Italian miniators; and, indeed, gradually everything connected with
art was declining in all parts of the world; and as we study its
history, we can understand why the terms Dark Ages and Middle Ages are
used to denote the same epoch, remarkable as it is for the decay and
extinction of so many beautiful things." |
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Key terms associated with the Middle ages - Gothic, black death, the shivering style, crusades, hagiographical literature, leprosy,
biblical symbolism, mysticism, feudal system, serfs, peasants,
Byzantine style,
illuminated manuscript,
scriptorium,
illuminator,
plague |
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Major Painters of the Middle-Ages
Cimabue
Coppo Di Marcovaldo
Dionysius
Duccio di Buoninsegna
Jacopo Di Cione
Ambrogio Lorenzetti,
Pietro Lorenzetti
Lippo Memmi
Andrea Di Orcagna
Andrei Rublev
Theophanes The Greek
Francesco Traini
Paolo Veneziano
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“To be an artist is to believe in life.” Henry Moore
The Meaning of Sacred Symbols in Paintings. Most prominently featured symbols and their meaning:
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