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About
the Artist
From
an early age Dossi displayed exceptional original creative talent. He
was gifted with the extraordinary talent not only of being a master
storyteller but of innovation, with a naturalness, and almost
childlike liveliness. According to Vasari "Dosso was much beloved by
Duke Alfonso of Ferrara: first for his good abilities in the art of
painting, and then because he was a very pleasant and amiable person--a
manner of man in whom the Duke greatly delighted. Dosso had the
reputation in Lombardy of executing landscapes better than any other
painter engaged in that branch of the profession, whether in mural
painting, in oils, or in gouache; and all the more after the German
manner became known."
Dosso's
art is astonishing, unconventional, mysterious. His paintings exemplify
the taste for mythological and religious themes that was the trademark
of the nobility in Renaissance Italy. He was a genius at
exploiting a painting technique known as sfumato. This technique
imparted a extraordinary, almost surreal radiance for which his
masterpieces are renowned. He along with his brother,
Battista Dossi, were inundated with regular commissions from the Duke
of Ferrara and the ruling class elites. Dossi regularly collaborated
wit his brother but the tow were often at odds and had numerous
fallings out over creative decisions as well as matters of the heart.
Dossi's
'The Virgin Appearing to Sts John the Baptist and John the Evangelist',
circa 1526, is one of the greatest masterpieces of the High Renaissance.
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About The High
Renaissance Period
Artists of the Renaissance were elevated
in social standing and their art was no longer looked upon as simple
handicrafts, but as divinely inspired creations. The spirit of an era
awoke, revitalized with knowledge and creativity. The major painters of
the Renaissance were not only artists but men of great genius who gave
the world their great intellectual gifts. Florentine and Venetian
painting were both formed by extraordinary personalities. These men
tackled mathematical, artistic and philosophical problems of the
highest interest, and presented solutions that have never lost their
value. The sense of humanism pervading renaissance painting is still
palpable. The painters touched on a multitude of issues
regarding the human condition - death, love, reason, religion,
universal morality, social problems.
Until
the
Middle
Ages
men
regarded themselves as following the
Good
Shepherd, and art consequently did not recognize the
individual in particular. In the structure and position of
the figures, as in their expression, a general and uniform type of
beauty prevailed. The early Renaissance marks the victory of
individualism and the uncompromising prominence of he
individual. According to Renaissance historian Walter
Pater "Here, artists and philosophers and those whom the
action of the world has elevated and made keen, do not live in
isolation, but breathe a common air, and catch light and heat from each
other’s thoughts. There is a spirit of general elevation and
enlightenment in which all alike communicate. The unity of this spirit
gives unity to all the various products of the Renaissance; and it is
to this intimate alliance with the mind, this participation in the best
thoughts which that age produced, that the art of Italy in the
fifteenth century owes much of its grave dignity and influence.."
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Key
Descriptive Words and Phrases associated with the Renaissance
Movement -
rebirth,
rediscovery of the classical
world,
Savonarola, publication of Della Pittura,
a book about the laws of mathematical perspective for
artists, sfumato, chiaroscuro, spiritually
significant,
illuminated
manuscript, idealized biblical themes,
scriptorium,
illuminator,
plague,
Age of Discovery, curiosity about the
natural world, realistic use of colours and light,
Old Testament stories, ethereal and foggy backgrounds, Gospel parables,
romanticized landscapes,
Christian
symbolism.
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