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Giulio Campi
1500-1572
Venetian Painter and Architect of the
High Renaissance
Stylistically influenced by the following painters -
Raphael,
Giulio Roman, Leonardo da Vinci, Pordenone and
Parmigianinoa
Education - apprenticed to
his father, Galeazzo and later worked under Renaissance master, Giulio Romano
Cause of Death -
Old Age |
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Biography
Giulio Campi came from a long line of
distinguished painters and fine craftsmen. He was a striking
young man, famous for his eye-catching good looks, piety and technical
virtuosity. From an early age he demonstrated extraordinary artistic
gifts and after training with his father, Galeazzo, he was sent to
Mantua to be trained under the legendary Renaissance master
Giulio Roman.
He worked occasionally in Rome but primarily in Cremona, a city in
northern Italy, situated in Lombardy. Establishing himself as a painter
of church commissioned biblically themed frescoes and panel
portraiture. His dazzling paintings and frescoes were influential in
the artistic development of many Italian painters who came after him,
most notably his sons and grandsons. Campi's 'The Raising of Lazarus',
circa 1547, is one of the greatest masterpieces of the High Renaissance.
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About The High Renaissance Period
The Renaissance marks the
victory of individualism and the uncompromising prominence of he
individual. Artists of the Renaissance were elevated in
social standing and their art was no longer looked upon as simple
handicrafts, but as divinely inspired creations. The spirit of an era
awoke, revitalized with knowledge and creativity. The major painters of
the Renaissance were not only artists but men of great genius who gave
the world their great intellectual gifts. Florentine and Venetian
painting were both formed by extraordinary personalities. These men
tackled mathematical, artistic and philosophical problems of the
highest interest, and presented solutions that have never lost their
value. A new philosophy and way of thinking called "humanism" emerged.
Stimulated by a flood of interest in classical knowledge.
According to the late writer, Christopher Dawson, "For humanism also
appeals to man as man. It seeks to liberate the universal qualities of
human nature from the narrow limitations of blood and soil and class
and to create a common language and a common culture in which men can
realize their common humanity." The sense of humanism pervading
renaissance painting is still palpable. The painters touched on a
multitude of issues regarding the human condition - death, love,
reason, religion, universal morality, social problems.
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Key Descriptive Words and Phrases associated with the Renaissance Movement -
rebirth, rediscovery of the classical world, publication of Della Pittura, a book about the laws of mathematical perspective for artists, sfumato, chiaroscuro, spiritually significant,
illuminated manuscript, idealized biblical themes,
scriptorium,
illuminator,
Age of Discovery,
curiosity about the natural world, realistic use of colours
and light, Old Testament stories, ethereal and foggy backgrounds,
The Blackdeath,
Gospel parables, romanticized landscapes,
Christian symbolism.
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