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Piero di Cosimo
1462-1521
High Renaissance
Painter Associated with the Florentine School of Painting
Stylistically influenced by the following painters -Giorgione
Antonello da Messina,
Lorenzo Costa
and
Giovanni Bellini
Education - apprenticed to Cosimo Rosselli
Cause of Death -
old age |
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About the Artist
Piero di Cosimo was among the great Florentine
masters of the 15th century. He was active in various cities of central
Italy, notably Arezzo, Florence, Orvieto, Perugia, and Rome. According
to
Vasari,
Piero di Cosimoi was an odd sort who lived off boiled eggs, was
inordinately frugal and behaved in strange and eccentric ways. He is
famous for his Classical mythological themes and strange creatures of
his own imaginings. His figures fen have bizarre almost malicious
expressions as if they are mad. Piero di Cosimo differed from previous
Florentine painters and his work seems more in tune with the painters
of the
Northern Renaissance.
'Mystical Marriage of St. Catherine of Alexandria' circa.1493, was his
greatest masterpiece. In later years the artist fell under the spell of
a notorious self-proclaimed prophet called Savonarola. Under the
puritanical influence of Savonarola, Piero di Cosimo's artworks lost
much of their magic and became less original.
Savonarola sermonized before huge throngs with fiery
passion and quickly earn enormous influence over not only the common
peasant but artists, writers and the ruling elites. Many of his
followers declared him a prophet. Savonarola was anti-humanistic
and detested poetry, literature, perfume, art and anything that was
vaguely fun. Savonarola declared "They have built up a new Church
after their own patter. Go to Rome and see! In the mansions of the
great prelates there is no concern save for poetry and the oratorical
art. Go thither and see!" He encouraged painters and patrons to
burn all artworks that did not conform to his strict code of morality.
Thousands of the greatest masterpieces ever created by some of the
giants of renaissance art were burned in his notorious Bonfire of the
Vanities.
Upon the death of his arch enemies Pope Innocent
VIII and Lorenzo de Medici a political power vacuum
developed and Savonarola became ruler of the city of Florence.
With the help of his followers he ruled with an iron hand, installing a
Taliban style rule that outlawed gambling, decadent clothing and
sentenced homosexuals and adulterers to death. He stated that the
syphilis epidemic was Gods punishment upon backsliders and
transgressors. Followers of the radical Friar went on frequent
destructive rampages destroying anything that did not conform to
Savonarola's militant conception of theology and Christian morality.
After a time the people of Florence had had enough of his madness and
puritanical laws. In 1498 Sandoval was charged with sedition, uttering
false prophesies and various religious transgressions. He was charged,
jailed and horrifically tortured for several days but never recanted
his words. A trial of sorts was held and he was declared guilty.
Sandoval and two of his loyal Dominican disciples were hanged from a
huge cross and burned until nothing but ashes remained. During the
burning his supporters chanted "Charity is extinct, Love of God is no
more. All are lukewarm; And without living faith. . . .Alas! the Saint
is dead! Alas! O Lord! Alas! Thou hast taken our Prophet And drawn him
to thyself." After Savonarola's death the artists and art of Florence
continued to evolve and thrive.
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About The High Renaissance Period
Artists of the
Renaissance were elevated in social standing and their art was no
longer looked upon as simple handicrafts, but as divinely inspired
creations. The spirit of an era awoke, revitalized with knowledge and
creativity. Although art still served a specific functions, which were
primarily religious, painters added more of their individual spirit and
personal vision to their creations.
John Ruskin,
famous art historian stated, "The
art of any country is the exponent of its social and political virtues
. The art, or general productive and formative energy, of any country,
is an exact exponent of its ethical life. you can have noble art only
from noble persons, associated under laws fitted to their time and
circumstance."
The major painters of the
Renaissance were not only artists but men of great genius who gave the
world their great intellectual gifts. Florentine and Venetian painting
were both formed by extraordinary personalities. These independent
creative geniuses tackled mathematical, artistic and philosophical
problems of the highest interest, and presented solutions that have
never lost their value. The sense of humanism pervading renaissance
painting is still palpable. The painters touched on a multitude
of issues regarding the human condition - death, love, reason,
religion, universal morality, social problems.
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Key Descriptive Words and Phrases associated with the Renaissance Movement -
rebirth, rediscovery of the classical world, publication of Della Pittura, a book about the laws of mathematical perspective for artists, sfumato, chiaroscuro,
Savonarola, spiritually significant,
illuminated manuscript, idealized biblical themes,
scriptorium,
illuminator, plague, Age
of Discovery, curiosity about the natural world, realistic use of
colours and light, Bonfire of the Vanities, Old Testament
stories, ethereal and foggy backgrounds, Gospel parables, romanticized
landscapes,
Christian symbolism.
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