Biography

According to Renaissance Art Historian Giorgio Vasari Giotto was something of a prankster.. " It is said that when Giotto was only a boy with Cimabue, he once painted a fly on the nose of a face that Cimabue had drawn, so naturally that the master returning to his work tried more than once to drive it away with his hand, thinking it was real. And I might tell you of many other jests played by Giotto, but of this enough." from :  Lives of the Most Eminent Painters, Sculptors, and Architects published c. 1550

According to renaissance art historian, Richard Muther, "All the other Italian religious painters work out their expression with toil; he only can give it with a touch. All the other great Italian colorists see only the beauty of colour, but Giotto also its brightness. And none of the others  understood to the full its symbolic power; but with --Giotto--there is always, not only a colour harmony, but a colour secret. It is not merely to make the picture glow, but to remind you that St. Francis preaches to a fire-worshipping king, that Giotto covers the wall with purple and scarlet;--and above, in the dispute at Assisi, the angry father is dressed in red, varying like passion; and the robe with which his protector embraces St. Francis, blue, symbolizing the peace of Heaven, Of course certain conventional colours were traditionally employed by all painters; but only Giotto  invents a symbolism of his own for every picture.

Giotto never succeeded, to the very end of his days, in representing a figure lying down, and at ease. It is one of the most curious points in all his character. Just the thing which he could study from nature without the smallest hindrance, is the thing he never can paint; while
subtleties of form and gesture, which depend absolutely on their momentariness, and actions in which no model can stay for an instant, he seizes with infallible accuracy."
 

Giotto's paintings are encoded in a visual system so moving and powerful we can hardly bring ourselves to think about it. Most prominently featured in his work are  the holy figures of the Christian faith-- Christ,  Saints, The Cross and Virgin Mary

Classical humanism, was a major aspect of the Italian Renaissance. This intellectual movement was based on the idea that every persons life had value and dignity. Humanism also stressed  man's position in the natural world. The Humanists  believed modern man should look to the classical writings and art of the ancient Greeks and Romans as exemplary guides for ethical living and scholarship. John Donne, famous Renaissance poet and writer stated, "No man is an island. entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were; any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee. ."

During the Renascence the spirit of an era awoke, revitalized with knowledge and creativity. Although art still served a specific functions, which were primarily religious, painters added more of their individual spirit and personal vision to their creations. John Ruskin, famous art historian declared, "The art of any country is the exponent of its social and political virtues . The art, or general productive and formative energy, of any country, is an exact exponent of its ethical life. you can have noble art only from noble persons, associated under laws fitted to their time and circumstance."

The major painters of the Renaissance were not only artists but men of great genius who gave the world their great intellectual gifts. Florentine and Venetian painting were both formed by extraordinary personalities. These independent creative geniuses tackled mathematical, artistic and philosophical problems of the highest interest, and presented solutions that have never lost their value. The sense of humanism pervading renaissance painting is still palpable. The painters touched on a multitude of  issues regarding the human condition - death, love, reason, religion, universal morality, social problems.